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'Third cheerleader from the left': from Homer's Helen to Helen of Troy

Ruby Blondell<br />Jan 1, 2009; 1:4-22<br />Research Articles

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Re-rooting the classical tradition: new directions in black classicism

Emily Greenwood<br />Jan 1, 2009; 1:87-103<br />Review Essays

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Greek tragedy and the politics of subjectivity in recent fiction

Edith Hall<br />Jan 1, 2009; 1:23-42<br />Research Articles

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Hyperion's symposium: an erotics of reception

Joshua Billings<br />Jan 1, 2010; 2:4-24<br />Research Articles

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Cinematic receptions of antiquity: the current state of play

Joanna Paul<br />Jan 1, 2010; 2:136-155<br />Review Essays

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Pausanias as historian in Winckelmann's History

Katherine Harloe<br />Nov 1, 2010; 2:174-196<br />Research Articles

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The making of a democratic symbol: the case of Socrates in North-American...

S. Sara Monoson<br />May 1, 2011; 3:46-76<br />Research Articles

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Peter Handke's Thucydides{dagger}

Neville Morley<br />May 1, 2012; 4:20-47<br />Research Articles

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Presenting the past: authenticity and authority in Athens: The Truth about...

Fiona Hobden<br />Jan 1, 2013; 5:1-37<br />Research Articles

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Freud and tragedy: Oedipus and the gender of the universal

Miriam Leonard<br />Jan 1, 2013; 5:63-83<br />Research Articles

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Aryan, German, or Greek? Nietzsche's Prometheus between antiquity and modernity

Adam Lecznar<br />Jan 1, 2013; 5:38-62<br />Research Articles

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The Homeric Elpenor and those who made il gran rifiuto (Dante's Inferno,...

Polina Tambakaki<br />Jan 1, 2013; 5:144-165<br />Research Articles

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Redeeming Xenophon: historiographical reception and the transhistorical

Tim Rood<br />Jun 1, 2013; 5:199-211<br />Discussion Forum

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Response to Forum Debate

Charles Martindale<br />Jun 1, 2013; 5:246-251<br />Response

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